Wednesday 25 July 2018

The Tragedy in Drama

A tragedy is the oldest form of drama. Its origins can be traced to Ancient Greece when dramas were just acts played by a single actor. The best-known works of that era come from Aeschylus, Sophocles and Euripides. In the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre.


Renaissance era saw the greatest development in this genre, the most important sources for French tragic theatre in the Renaissance were the example of Seneca and the precepts of Horace and Aristotle and contemporary commentaries by Julius Caesar Scaliger and Lodovico Castelvetro, although their plots were taken from classical authors such as Plutarch, Suetonius, etc. In English, the most famous tragedies are those of Shakespeare and other playwrights of his era, like Christopher Marlowe and John Webster.

While this was going on in England, Italy took its own contemporary approach to facilitate the rebirth of tragedy. This gave rise to the new Italian musical genre of opera, which was called but tragédie en musique in France. For much of the 17th century, Pierre Corneille made his mark on the world of tragedy with plays like Medée and Le Cid, and was the most successful writer of French tragedies. In modernist literature, the definition of tragedy has become less precise. When compared to modern tragedies Shakespeare’s forms are ‘richer but hybrid'.

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